Tonight we are talking about Doing the Dirty Work, HAND JOB: What we know about contemporary non-traditional embroidery, Uterus Effects- on art, maternity, and reproductive system organ’s diseases- a project that problematizes the relationship between art and the term women*. We also problematize other topics such as the hegemony of European feminism, narratives, and hierarchies within the world of art and culture by interfering with feminist, gender, migrant, queer, and disability theories and practices.
Amalija Stojsavljević (Pančevo/ Serbia, 1984) graduated in 2010 in Belgrade with a degree in history of art, after which she worked as a curator and librarian at the Museum of Contemporary Art in Banja Luka (Bosnia and Herzegovina). From 2011 to 2013, she attended World of Art-School for Curatorial Practice and Critical Writing in Ljubljana, Slovenia. In 2017, she enrolled in the Master´s Program in Art History at the Institute of History of Art in Vienna. During 2019 and 2020, she actively devoted herself to learning about project management and cultural funds in Austria and abroad, where she obtained several certificates in those fields.
She is the founder of the association Kunstentropie in Vienna (2018), whose goal is to promote feminist and alternative art and culture. From November 2022, she also became a vice president and program director of the association Art Brut Serbia from Belgrade. http://amalijastojsavljevic.com/
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